Blonde by Joyce Carol Oates, reviewed for Ellroy Reads
Some books need little introduction. Blonde by Joyce Carol Oates is one of them. It’s an epic and controversial take on the life of Marilyn Monroe, as poetic as it is gut-wrencing.
In the latest episode of Ellroy Reads I discuss the novel, and how it influenced James Ellroy’s portrayal of Marilyn Monroe in The Enchanters. I also discuss the background to Oates’ description of Ellroy as ‘the American Dostoyevsky’. Enjoy the show, and do remember to subscribe to the channel, like, share and comment on the content.
Uhuru by Robert Ruark, reviewed for Ellroy Reads
After a three-week hiatus Ellroy Reads is back with an in-depth look at Robert Ruark’s Uhuru. Ruark was an American author with a deep passion for Africa. Uhuru was his bestselling follow-up to Something of Value. Both novels are set around the time of the Mau-Mau rebellion in Kenya. I talk about Ruark’s life, his problematic politics and the surprising connections between his writing and the work of James Ellroy. Enjoy the episode, and if you like what you see then subscribe to the channel.
Thanks for sticking with the show while I took a small break. I spent some time in Oslo, which is truly one of the most beautiful cities on earth. Now I’m back and raring to get back to work.
James Ellroy’s Greatest Novel – American Tabloid Discussion
It was a pleasure to join Britton and J. Schiek to discuss American Tabloid. The three of us were fairly united in our opinion that it is James Ellroy’s greatest novel. If you don’t agree with that statement, watch the podcast below and maybe we’ll convince you. Enjoy!
James Ellroy Biography Q&A
I’ve posted a Q&A episode on Ellroy Reads. I cover many of your questions about James Ellroy, his life and work, and what it was like to be his authorised biographer. Thank you to everyone who submitted a question. Do subscribe to the channel if you haven’t already done so.
I’m taking a break from the channel and this website for a few weeks to do some travelling and work on deadlines. But I’ll be back with more Ellroy and crime fiction content in mid-September. See you then.
Red Star Over Hollywood by Ronald and Allis Radosh
For the latest episode of Ellroy Reads I review one of the key historical texts which inspired James Ellroy’s Red Sheet. Red Star Over Hollywood explores the history of communism in the United States and Hollywood in particular. It provides a revisionist commentary on the Hollywood Ten and the Blacklist. Radosh writes with the authority of a lapsed believer, he was a ‘red diaper baby’ and ardent communist for much of his youth. His slow conversion to conservatism informs much of his take on Hollywood’s flirtation with the far-left, and in turn inspired Ellroy to write Red Sheet.
I hope you enjoy the episode, and do remember to subscribe to the channel. Next week I’ll be posting another Q&A episode, so please leave your questions either here or on the channel and I will answer them in the episode. Thanks.
Tremor of Intent by Anthony Burgess
For the latest episode of Ellroy Reads I review Anthony Burgess’ idiosyncratic spy novel Tremor of Intent. Written to both exploit the spy fiction craze of the 1960s, and also as a reaction to it, the novel never attained the commercial success of Ian Fleming’s James Bond novels, and yet its critical reputation has grown over the years and it was almost used as the basis of a Bond film. I tell this story as well as James Ellroy’s connection to the novel in today’s episode.
Enjoy the content, and do remember to subscribe to the channel, like, comment and share on the world wide web.
Kidnap: The Story of the Lindbergh Case by George Waller
For the latest episode of Ellroy Reads I review Kidnap, George Waller’s gripping account of the Lindbergh baby kidnapping. I also discuss James Ellroy’s complex portrait of Charles Augustus Lindbergh in his recent novels This Storm and Red Sheet.
I hope you enjoy the episode, and do remember to subscribe to the channel and share the content.
A James Ellroy Hollywood Story
For the latest episode of Ellroy Reads, I catch up with a few viewer questions that I didn’t get chance to cover in the last Q&A episode. I also tell a Hollywood story, never revealed before, which is connected to my time as James Ellroy’s biographer. Fans of Hush-Hush showbiz gossip should get a kick out of this tale!
Enjoy the episode and don’t forget to subscribe to the channel.
Tours of the Black Clock is Steve Erickson’s highly acclaimed third novel. It presents an alternative view of World War Two, and an ahistorical portrait of the twentieth century. There are many labels that might be attached to the novel – surrealist, relativistic, magical realism, and yet it can also be read as a gripping story of an American man who becomes the pornographer to Adolf Hitler.
You can find out more about the novel in the latest episode of Ellroy Reads, and I also go into Steve Erickson’s unlikely friendship with James Ellroy and the even more absurd reason it came to an end. Hope you enjoy, and do remember to subscribe to the channel, like, comment and share the content.
The Dark Ages – were they really so bad? Certainly not if Hollywood, and moviemaking in general, is anything to go by. In his witty, engaging study of films set in the Dark Ages, Andy Rohmer examines cinematic fascination with this period, of which Kenneth Clark once observed civilisation only made it through by ‘the skin of its teeth’. This is the fourth book in Rohmer’s World History: The Hollywood Version series in which he meticulously goes through every period in history and examines how it has been portrayed, be it glamourised or maligned, in the movies.
Rohmer defines the Dark Ages as 476 to 1050 AD, and starts with films set in the Arthurian Cycle and ends just before the Norman Conquests. He is primarily a film historian and sets out, film by film, to note the eccentricities and idiosyncrasies of celluloid history. For instance, he notes that Clive Donner’s film Alfred The Great (1969) is a ‘late Sixties attempt to do a historical epic in the language of youth revolt’. Whereas Antonie Fuqua’s big-budget King Arthur ‘vacillates inconclusively between hard, R-rated historical war film, Bruckheimer summer spectacle and parable about empire and freedom’. I’ve been a fan of Rohmer series since the beginning and I’m pleased to say that all of his observations are a delight to read. The balance between historical context, behind the scenes content and critical analysis is exactly what one would wish.
Treat yourself to a copy of this wonderful book, and don’t be surprised if it sends you in pursuit of the movies that shed light on the Dark Ages.
The Venetian Vase 